A few examples of appraisal values for
ET CETERA

• Fourteen books from the 19th and 20th
  Fourteen books from the 19th and 20th century on hunting, fishing, camping, et cetera.
• Fourteen books from the 20th century
  Fourteen books from the 20th century on hunting, fishing, camping, et cetera.
• Fourteen various books, magazines, et
  Fourteen various books, magazines, et cetera, about Charles Dickens and his works, together with various ephemera on the same subject.
• DREXEL PAIR OF ALUMINUM "LILY" END TABLES
  DREXEL PAIR OF ALUMINUM "LILY" END TABLES (CA. 1970)A pair of sculptural "Lily" end tables, cast aluminum with gilt patina and thick glass tops, manufactured by Drexel circa 1969-1970 for their Et Cetera line of home furnishings (not by Arthur Court, as is frequently misattributed). Each bears a Drexel tag to the underside. The vintage design is a playfully literal take on the Shakespearean idiom "gilding the lily." Each measures 17" x 19". Condition Overall good condition. Scattered wear to the patina. One of the glass tops has minor chipping and scratches.
• COLLECTION OF TOY SOLDIERS, MORE THAN
  COLLECTION OF TOY SOLDIERS, MORE THAN 350Lot of over 350 metal toy soldiers, most or all by W Britains, and boxed set of 6 figures. 1st grouping: Over 350 painted metal miniature soldiers, including infantrymen, cavalry, and army band members, representing British, Scottish, German, Russian, and Middle Eastern troops, with horses, donkeys, and a goat. "Copyright W. Britains Ltd. Made in England" embossed on bottom of cavalry figures. Four plastic Scottish soldiers and assorted broken pieces and hardware included. Soldiers - 2 1/4" H. Cavalry - 3 1/4" H. Plastic figures - 2 1/2" H. 2nd item: Red and buff box set of 3 painted metal British soldiers and 3 horses, made by W. Britains Limited. Back of box contains picture of founder of company and description that explains some history of the company and how the toy soldiers are made. Box - 4" H x 16 1/4" W. Soldiers and Horses - 2/14" H. 20th century. (Higher-resolution photos are available at www.caseantiques.com) Condition: 1st grouping: Figures well used, paint loss on many of figures. Some figures are missing heads, limbs, et cetera. 2nd item: Box damaged.
• COLLECTION OF CANES AND WALKING STICKSCollection
  COLLECTION OF CANES AND WALKING STICKSCollection of canes and walking sticks to include: Thornwood, bamboo, lacquered Asian, Alpenstock Ibex horn hiking stick, an International Harvester promotional stick, et cetera, all in an Asian porcelain umbrella stand.
• ENORMOUS 20TH C. SHIPIBO POLYCHROME
  ENORMOUS 20TH C. SHIPIBO POLYCHROME PORTRAIT JARSouth American, Upper / Western Amazon Basin, Ucayali River, Peru, Shipibo people, ca. mid-20th century CE. Wow! A marvelous pottery portrait jar of a tremendous size featuring a dramatically wide hip, a sloped shoulder, a conical neck, and a flared rim, all sitting upon a narrow base. Quite captivating, the neck of the vessel presents the visage of an individual, displaying petite eyes with round pupils, a pinched nose with delineated nostrils, and a slender mouth held in a gentle smile, all flanked by a pair of cupped ears. A lovely burnt orange slip envelops the area below the hip as well as the interior rim, while the exterior of the shoulder, neck and rim are adorned with a mesmerizing, mazelike design of black and orange painted interlocking motifs atop a creamy beige ground. Size: 20.5" Diameter x 19" H (52.1 cm x 48.3 cm) These symmetrical geometric patterns, known as kene, are not only said to represent the paths of life, but are also inspired by nature, such as in the coils and scaled skin of a snake, which are also symbolic of the coiling of the pottery as the vessel is constructed. Layers of zigzag patterns arch below the jutting chin of the face, possibly representing a beard or collar necklace, while black resin embellishes the interior walls of the jar. The Shipibo-Conibo tribe are an indigenous people along the Ucayali River in the Amazon rainforest in Peru. Shipibo vessels are visually distinctive and instantly recognizable, the result of a tempering technology that is millennia old, allowing for some of the largest, thinnest-walled vessels produced in the New World. These vessels are made by Shipibo women in a style that grew out of the pre-Columbian Marajoara. The chomo is a vessel that can be placed into a hole dug in the ground to store and ferment masato, a ceremonial beverage used in ceremonies like the Joni-Ati, an initiation ritual to mark a girl's passage into womanhood. The Shipibo, unlike many other Amazonian tribes, are matriarchal. This massive vessel would have played an important role in the life of these fascinating people. Shipibo art generally appears in multimedia enveloped in elaborate geometric designs in a baroque trilevel style. Decorated first, the upper level is comprised of broad form lines in rectilinear (pontequeneya) and curvilinear (mayaqueneya) patterns. Artists are inspired by covering her eyelids with the leaves of an iponquene plant - named after a small but complexly patterned armor-headed catfish - in an effort to absorb their intricate tracery, as well as via dreams and visions. The original designs were from hallucinogenic visions of shamans using ayahuasca (or nishi) and strong tobacco. According to the Smithsonian National Museum of the American Indian, "In mythic times these patterns covered everything - the sky, trees, huts, people, animals, et cetera - in a continuous tissue of design. But due to the misdeeds of failed protohumans, this idyllic union ruptured and differentiated into floating, superimposed planes: Nete shama (the sky world), Mai (the earth world), and Jene shama (the subaquatic underworld). Simultaneously, periodicity (day and night, or time), mortality, and speciation appeared. And the geometric lineaments ruptured. Now they appear only on specific design fields, such as the upper parts of fineware pottery, people's faces, or the blades of war clubs. All these designs are pre-existent; the artist has only to grasp and fix them in her mind (shinan picotai, 'the thoughts emerge'), lay them over the design field, and cut where they match that field, letting the rest of the design fade back into invisibility. The visible design remains as a window into the vast reticulate intricacy of the universe." Cf. Smithsonian National Museum of the American Indian, 26/3329 and 23/9608. Provenance: private Hidden Valley Lake, California, USA collection; ex-Clark's Auction Company, Scotts Valley, California, USA, "CA Estates Native American & WWII Collections," April 26th, 2020, lot 133 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #170428 Condition: Expected nicks, abrasions, scratches, and pitting in some areas, commensurate with age. Loss to some black resin on interior. A few scattered areas of minor peeling to surface. Otherwise, intact and excellent with impressive remaining pigments and nice preservation of painted detail.
• PAINT-DECORATED SECRETARY BOOKCASE,
  PAINT-DECORATED SECRETARY BOOKCASE, 'ET CETERA" COPAINT-DECORATED SECRETARY BOOKCASE, 'Et Cetera" collection by Drexel Furniture Co., model 582-829, c. 1976, 80"H x 40"W x 18.75"D.
• DREXEL HERITAGE CHINOISERIE WRITING
  DREXEL HERITAGE CHINOISERIE WRITING DESKDREXEL HERITAGE CHINOISERIE WRITING DESK, from the "Et Cetera" collection, the top with three inset writing surfaces atop skirt with single long drawer flanked by two short drawers atop cabriole legs, with gold stenciled chinoiserie decoration, h: 30.5 x w: 60 x d: 27.25 in.
• DREXEL 'ET CETERA' CHINOSERIE DECORATED
  DREXEL 'ET CETERA' CHINOSERIE DECORATED SIDE CABINET WITH AN ASSOCIATED MIRROR, CABINET HEIGHT: 30-1/2 IN; WIDTH: 60 INDrexel 'Et Cetera' Chinoserie Decorated Side Cabinet with an Associated Mirror, Cabinet Height: 30-1/2 in; Width: 60 in
• DREXEL "ET CETERA" TABLE DESK, HEIGHT:
  DREXEL "ET CETERA" TABLE DESK, HEIGHT: 30 IN; WIDTH: 60 INDrexel "Et Cetera" Table Desk, Height: 30 in; Width: 60 in
• GROUP OF AMERICAN STERLING. Twentieth
  GROUP OF AMERICAN STERLING. Twentieth century. Various patterns including Gorham "Wreath" and "Etruscan", Watson "Windsor Rose", souvenir spoons, serving pieces and et cetera. Approx. 13.5ozt.
• AMERICAN MEMORY LAMP. Twentieth century.
  AMERICAN MEMORY LAMP. Twentieth century. Milk glass lidded jar covered in pebbles, buttons, rhinestone jewelry, beads and et cetera. Some loss. 21.5"h.
• GROUP OF AMERICAN CARVED WHIMSEYS. Twentieth
  GROUP OF AMERICAN CARVED WHIMSEYS. Twentieth century. All carved from one piece of wood, spheres in cages, chains, hooks and et cetera.
• GROUP OF AMERICAN CARVED WHIMSEYS. Twentieth
  GROUP OF AMERICAN CARVED WHIMSEYS. Twentieth century. All carved from one piece of wood. Spoons, hearts, four made from spools, chain, and et cetera.
• FOUR AMERICAN QUILTS. First half 20th
  FOUR AMERICAN QUILTS. First half 20th century. A pair of "Grandma's Flower Basket", wear and stains. 62"w. 80"I. A thick quilt with black background and solid fabric pattern in purples, greens, reds, orange and et cetera . Wear. 72"w. 78"I. And quilt in multi-colored and patterned fabrics. 54"w. 66"l.
• CHINESE CHIPPENDALE STYLE BLOCK FRONT
  CHINESE CHIPPENDALE STYLE BLOCK FRONT CHEST AND MACHINESE CHIPPENDALE STYLE BLOCK FRONT CHEST AND MATCHING WALL MIRROR, Drexel Heritage Furniture Co., "Et Cetera" Collection, late 20th century, painted chinoiserie decoration on black ground. Chest dimensions: 31"H x 38.5"W x 19"D.
• FEDERAL STYLE CHINOISERIE CORNER CHINA
  FEDERAL STYLE CHINOISERIE CORNER CHINA CABINET, DRFEDERAL STYLE CHINOISERIE CORNER CHINA CABINET, Drexel Heritage Furnishings, Inc., Drexel, North Carolina, 'Et Cetera' collection, 1982, 78.25"H x 33.5"W.
• Forty-seven miscellaneous printed diaries
  Forty-seven miscellaneous printed diaries (mostly not much written in), memorandum books, address books, wallets, et cetera, dating from 1858 to 1957.
• Drexel Et CETERA Tray Top Table. Campaign
  Drexel Et CETERA Tray Top Table. Campaign style Faux Bamboo, can be a short table or tall. Dimensions: H: 18 inches: W: 32 inches: D: 18 inches --- Condition: Light wear.
• Fourteen nineteenth and twentieth century
  Fourteen nineteenth and twentieth century books on plays, poetry, et cetera, including The Complete Plays of Bernard Shaw (London, 1965) and The Complete Prefaces of Bernard Shaw (London, 1965); The Physiology of Taste by Brillat-Savarin (The Folio Society, London, 2008; in original slipcase); Don Quixote (New York, 1949); and three leatherbound 19th century books all apparently from the library of (and with the crest on the cover in gilt of) Pembroke College, Cambridge in England: The Poetical Works of John Keats (London, 1889); The Works of Alfred Lord Tennyson (London, 1894); The Poetical Works of Percy Bysshe Shelley (London, 1891).
• Twenty books and pamphlets from the
  Twenty books and pamphlets from the 20th century on Philadelphia, its history, Rittenhouse Square, et cetera.
• Fourteen books and pamphlets from the
  Fourteen books and pamphlets from the 20th century on Philadelphia, its history, Rittenhouse Square, et cetera.
• TWO BLACK CHINOISERIE STORAGE BOXES:
  TWO BLACK CHINOISERIE STORAGE BOXES: small Chinese made paper mache box with exterior floral decoration 7.75''H x 13.5''L x 8.25''W; Drexel lift-top storage box on stand ''Et Cetera'' line the rectangular top with pictorial decoration 20.25''H x 24''W x 17''D.
• DREXEL CHINA DISPLAY CABINET ON CABINET
  DREXEL CHINA DISPLAY CABINET ON CABINET Drexel Heritage Furnishings Inc. ''Et Cetera'' line c. 1978 overall decorated in oriental motif on black lacquer ground the upper cabinet fitted with three shelves behind beveled glass doors and sides. Dimensions: 80.25''H x 35''W x 14.75''D.
• DREXEL ET CETERA CHINOISERIE 3 DRAWER
  DREXEL ET CETERA CHINOISERIE 3 DRAWER DRESSER: Shaped front with 3 drawers. 30 3/4'' h. x 37 1/2'' x 19''.
• DREXEL ET CETERA CHINOISERIE DECORATED
  DREXEL ET CETERA CHINOISERIE DECORATED CHINA CABINET: Shaped top over 4 glass doors with 3 interior shelves. 4 solid bottom doors with single shelf each section. Illuminated top interior. 79 1/2'' h. x 57'' x 14''.
• DREXEL ET CETERA WALL MIRROR: 41 1/2''
  DREXEL ET CETERA WALL MIRROR: 41 1/2'' h. x 21 1/2''.
• DREXEL ET CETERA CHINOISERIE DECORATED
  DREXEL ET CETERA CHINOISERIE DECORATED CHINA CABINET: Shaped top over 4 glass doors with 3 interior shelves. 4 solid bottom doors with single shelf each section. Illuminated top interior. 79 1/2'' h. x 57'' x 14''.
• Books: Fine art furniture decorative
  Books: Fine art furniture decorative arts and travel guides Bernier Rosamond. MATISSE PICASSO MIRO: AS I KNEW THEM. New York: Alfred A. Knopf 1991. Bridgman George B. BRIDGMAN'S LIFE-DRAWING. London: John Lane the Bodley Head Limited 1926. Neuhaus Eugen. WILLIAM KEITH: THE MAN AND THE ARTIST. Berkeley California: University of California Press 1938. Peters Harry T. CURRIER & IVES: PRINTMAKERS TO THE AMERICAN PEOPLE. Garden City New York: Doubleday Doran & Co. Inc. 1942. Walker Phoebe Flory (et al). WATERCOLOR PORTRAITURE. New York: G.P. Putnam's Sons 1949. Watson Ernest W. COLOR AND METHOD IN PAINTING: AS SEEN IN THE WORK OF 12 AMERICAN PAINTERS. New York: Watson-Guptill Publications Inc. 1946. Weisberg Gabriel P. ART NOUVEAU BING: PARIS STYLE 1900. New York: Harry N. Abrams Inc. 1986. Conrad Barnaby (et al). INTERVIEWS WITH MASTER PHOTOGRAPHERS. New York: Paddington Press Ltd. 1977. Signed by author. Conrad Barnaby. JOHN REGISTER. San Francisco: Chronicle Books 1989. Signed by author. Fowler Don D. THE WESTERN PHOTOGRAPHS OF JOHN K. HILLERS. Washington & London: Smithsonian Institution Press 1989. ARCHITECTURAL MONOGRAPHS: JOHN SOANE. London: Academy Editions 1983. Inscribed: For Millei From the author London April 1984. Chaffers William. MARKS AND MONOGRAMS ON EUROPEAN AND ORIENTAL POTTERY AND PORCELAIN. California: Borden Publishing Co. 1946. With dustjacket. Giacomotti Jeanne. FRENCH FAIENCE. New York: Universe Books 1963. 1st edition. With dustjacket. Honey William Boyer. EUROPEAN CERAMIC ART FROM THE END OF THE MIDDLE AGES TO ABOUT 1815: A DICTIONARY OF FACTORIES ARTISTS TECHNICAL TERMS ET CETERA. London: Faber and Faber Limited 1952. With dustjacket. Schmidt Robert. EARLY EUROPEAN PORCELAIN AS COLLECTED BY OTTO BLOHM. Munchen: F. Bruckmann 1953. Limited edition 355/1500. With dustjacket. Tilmans Emile. PORCELAINES DE FRANCE. Paris: Editions Mondes 1953. CORONATION EXHIBITION:1953. London: The Antique Porcelain Co. Ltd. 1953. IRO-NABESHIMA: THE COLOURED NABESHIMA CERAMIC WARE. Japan: Heian-Do 1954. Limited edition. With dustjacket. STAATLICHE PORZELLAN-MANUFAKTUR: MEISSEN. Berlin:1978. Pamphlet. Aronson Joseph. THE ENCYCLOPEDIA OF FURNITURE. New York: Crown Publishers 1949. Jarry Madeleine. LE SIEGE EN FRANCE: DU MOYEN AGE A NOS JOURS. Paris: Paul Hartmann 1948. With glycin book cover. Oglesby Catharine. FRENCH PROVINCIAL DECORATIVE ART. New York: Charles Scribner's Sons 1951. With dustjacket. Viaux Jacqueline. FRENCH FURNITURE. New York: G.P. Putnam's Sons 1964. With dustjacket. Watson F. J. B. FURNITURE: TEXT WITH HISTORICAL NOTES AND ILLUSTRATIONS. London: William Clowes and Sons Ltd. 1956. M. HARRIS & SONS CENTENARY BOOK. London: M. Harris & Sons 1968. Limited edition numbered 121. Barton John. THE HOLLOW CROWN: THE FOLLIES FOIBLES AND FACES OF THE KINGS AND QUEENS OF ENGLAND. London: Hamish Hamilton 1971. With dustjacket. Fillitz Hermann. SCHATZKAMMER: THE CROWN JEWELS AND THE ECCLESIASTICAL TREASURE CHAMBER. Vienna Kunsthistorisches Museum 1963. Gudiol Jose. THE ARTS OF SPAIN. New York: Doubleday & Co. 1964. With dustjacket. Neuhardt Johannes. SALZBURGS ALTE SCHATZKAMMER: 11 JUNI BIS 15 SEPTEMBER 1967 IN DEN ORATORIEN DES SALZBURGER DOMES. Salzburger Domkapitel 1967. Steingraber Erich (ed). ROYAL TREASURES. London: Weidenfeld & Nicolson 1968. With dustjacket. Zucker Benjamin. GEMMES ET JOYAUX: MYSTERES PASSIONS MAGIES. Editions Saphir 1988. With dustjacket. LOUIS XIV FASTE ET DECORS: MAI-OCTOBRE 1960. Paris: Musee des Arts Decoratifs 1960. TREASURES OF BRITAIN AND TREASURES OF IRELAND. London: Drive Publications Ltd. 1968. 1st edition. With dustjacket. Together with pamphlet. THE COURT OF JEWELS: AN ASSEMBLY OF FABULOUS GEMS FROM THE WORLD-FAMOUS WINSTON COLLECTION. Ambriere Francis. LES GUIDES BLEUS: ALLEMAGNE REBUBLIQUE FEDERALE BERLIN; AUTRICHE; BOURGOGNE LYONNAIS; ITALIE; PORTUGAL MADERE ACORES; and YOUGOSLAVIE. Paris: Hachette 1962 65 68 70 & 72. (6 vols). Two with slipcases. Ambriere Francis. LES GUIDES BLEUS: HOLLANDE; GRECE; and EGYPTE. Paris: Hachette 1956. (3 vols). With dustjackets. Ambriere Francis. LES GUIDES BLEUS ILLUSTRES: VERSAILLES ET LES TRIANONS and MOSCOU LENINGRAD. Paris: Hachette 1953 & 63. (2 vols). Baedeker K. MIDI DE LA FRANCE; NORD-EST DE LA FRANCE; and SUD-EST DE LA FRANCE. Paris: Leipzig 1892 97 and 99. (3 vols). Champigneulle Bernard. VERSAILLES: LE CHATEAU LES JARDINS LES TRIANONS. Paris: Bordas 1949. Chettle G. H. HAMPTON COURT PALACE. London: Her Majesty's Stationery Office 1969. Clyne Douglas. YOUR GUIDE TO PORTUGAL. London: Alvin Redman 1965. With dustjacket. Delalle Ivo. TROGIR. Trogir: L' Association de Tourisme de la Commume de Trogir 1969. Foder Eugene (ed). FODER'S SCANDINAVIA 1970. London: Hodder and Stoughton 1970. With dustjacket. Gebelin Francois. THE CHATEAUX ON THE LOIRE. Paris: Editions Alpina 1950. Joffet Robert. BAGATELLE: HISTOIRE ET GUIDE. Paris: La Maison Rustique nd. Kininmonth Christopher. THE TRAVELLERS' GUIDE TO SICILY. London: Jonathan Cape 1972. Levron Jacques. ANGERS: SON CHATEAU SES MONUMENTS. Paris: B. Arthaud 1952. Muirhead L. Russell. SHORT GUIDE TO PARIS. London: Ernest Benn Limited 1951. With dustjacket. Pillement Georges. LES HOTELS DU FAUBOURG SAINT-GERMAIN. Paris: Editions Bellenand 1950. Segogne d' Henry De. LES CURIOSITES TOURISTIQUES DE LA FRANCE: SEINE ET OISE (2); EURE ET LOIR; and MANCHE. France: Kleber-Colombes 1952. (4 vols). With dustjackets. Vernes Suzanne. GUERMANTES. Paris: Editions Proba 1949. Author signed. ATLAS HISTORIQUE. Munich: Stock 1968. LES GUIDE LEBEY: DE RESTAURANTS DE PARIS. Paris: A. Leconte 1988. With dustjacket. Together with pamphlet. VERSAILLES. 1950-51. BUTTERFIELD & BUTTERFIELD: THE ESTATE OF MICHAEL TAYLOR: SAN FRANCISCO. 1987. With dustjacket. CHRISTIES INTERNATIONAL MAGAZINE: OCTOBER-NOVEMBER 1988; JANUARY-FEBRUARY 1989; and FEBRUARY-MARCH 1989. (3 vols). CHRISTIES: REVIEW OF THE SEASON: 1972-80 & 1988-89. (11 vols). With dustjackets. CHRISTIES: REVIEW OF THE YEAR: 1970/71. With dustjacket. CHRISTIES: CATALOGUE OF MAGNIFICENT JEWELS: 1969 & 1970. (2 vols). COLLECTION LADY KENT: ET A DIVERS AMATEURS. 1959. COLLECTION LOUIS MANTE. 1956. ETUDE COUTURIER-NICOLAY. 1983. SOTHEBY & CO: THIRY RENAISSANCE JEWELS AND WORKS OF ART FROM THE COLLECTION OF THE LATE ARTURO LOPEZ-WILLSHAW. 1970. With dustjacket. SOTHEBY & CO: THE RENE FRIBOURG COLLECTION (vols III & VII). With dustjackets. SOTHEBYS: PARKE BERNET LOS ANGELES: 1976. SOTHEBYS: THE IVORY HAMMER. (vols I & II). SOTHEBYS: THE JEWELS OF THE DUCHESS OF WINDSOR. 1987. With dustjacket. SOTHEBYS: THE PATINO COLLECTION. 1986. With dustjacket. THE BURLINGTON HOUSE FAIR. 1982. THE CONNOISSEUR YEAR BOOK: 1956. With dustjacket. THE GROSVENOR HOUSE ANTIQUES FAIR. 1984. VENTE DES FLORALIES. 1966. (97pcs) Provenance: From the literary collection of a titled French lady. 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• Regency mahogany library table first
  Regency mahogany library table first quarter 19th century The gilt tooled leather inset writing surface above an arched kneehole flanked by two drawers and opposed by two drawers raised on rectangular supports on downswept legs ending in brass capped casters. H: 30 1/4, W: 60, D: 43 1/2 in. ,000-5,000 Overall good/very good condition. Top and base possibly associated. Later leather inset top with old marks and scratches, scuffs, et cetera. Some minor old repairs, patches to veneers of edge.
• Two early English carved oak armchairs
  Two early English carved oak armchairs 17th century and later Each with a blind fretwork carved backrest decorated with strapwork and foliate vines above a drop-in seat raised on baluster joined stretchers. (2). H: 45, W: 23 1/2 in. Left chair: Condition consistent with age. Chair slightly unstable with minor losses and old repairs. Right chair: Condition consistent with age. Shrinkage and old repairs. Possibly cut down. Repair to left hand hold. Old marks and scratches, scuffs, et cetera.
• Rare Copy of the 1914 Tiffany "Blue
  Rare Copy of the 1914 Tiffany "Blue Book", New York, volume XXI, flexible gilt-tooled cover and gilt edges, with a complete listing of Tiffany's products including silver, jewelry, bronzes, lamps et cetera, with prices, 4-3/8" x 3-5/8".